What Do You Actually Need for a Kids Modelling Portfolio?

Most parents who contact me about kids modelling portfolio sessions aren't sure what they actually need. Their child has been scouted, or they've decided to approach an agency, and someone has told them they need photos. Good photos. But beyond that, it's a bit vague.

Here's what I can tell you after 23 years of photographing children on Sydney's North Shore: agencies are not looking for the photos that make your child look beautiful. They're looking for photos that show an agency who your child actually is.

What Agencies Are Looking For (and What Most Parents Don't Realise)

There's a common misconception that a kids modelling portfolio is essentially a collection of the nicest photos of your child. It's not. Agencies want to see clean headshots, natural expressions, personality, and range. They need to be able to look at those images and quickly assess whether your child has the kind of presence that translates to commercial work.

That means the photos have to do specific things. A clear headshot showing your child's face without distraction. Images where your child looks genuinely relaxed, not like they're performing for a camera. Two or three different looks to show versatility. And most importantly, images where the real personality comes through, because agencies work with casting teams who need to know what they're getting.

I've worked with Sydney modelling agencies across my career and I know what a portfolio brief looks like. This isn't a standard family session. Every image I make in a kids modelling portfolio session is shot with that brief in mind.

Why a Relaxed Child Always Photographs Better

This is the thing I come back to in every single kids session I do, whether it's a family portrait or a modelling portfolio. A relaxed child photographs better than a performing one. Every time.

When kids arrive at my Gordon studio for a portfolio session, I don't pick up the camera straight away. I spend time talking to them first. Finding out what they're into, what makes them laugh, what they're nervous about. By the time we start, they've usually forgotten they're there to have their photos done. That's the goal.

I had a 10-year-old once who told me she was worried she didn't know what to do with her face. We spent five minutes making each other laugh before I even touched the camera, and by the end of the session her mum was floored by how natural the images looked. That's not luck. It's just knowing how to work with kids.

After 23 years and roughly 2,500 families and children through this studio, I'm comfortable saying that getting genuine, natural expressions from children in front of a camera is genuinely one of my strengths. I know how to make it feel like nothing.

Who These Sessions Are For

Kids modelling portfolio sessions at über photography work for a wide range of ages and stages.

If your child has just been scouted and needs a portfolio to approach an agency for the first time, this session gives you exactly what you need to make a strong first impression. If they're already signed and need fresh images that reflect how much they've grown and changed, this session covers that too. And if they're already working in the industry and need updated portfolio images or new content for their social media, we can build a brief around that specifically.

Sessions start from around six months old, as soon as a baby is sitting up, and go right through to teenagers. The 45-minute studio session at my Gordon studio on Sydney's North Shore includes two to three outfit changes, and I'll guide you on what to bring and how to style each look before you arrive.

You can find full session details, including pricing and how to book

What Happens After the Session

Within a week of your child's session, you'll have an online viewing session to choose your final images. Two retouched high-resolution files are included, with additional images available if you'd like more.

If you'd prefer to select images on the same day as the session rather than waiting for a separate viewing appointment, just let me know when you book and I'll arrange for your viewing to happen the same afternoon. It's one less thing to coordinate, and for families with busy school schedules that option tends to work really well.

The images are delivered as high-resolution digital files, ready to submit to an agency or use for social media straight away.

A Note for Parents Who Are Considering It

If your child has shown an interest in modelling but you're not sure whether to pursue it, a portfolio session is a genuinely low-stakes way to find out. You'll have professional images that showcase their personality and range, and you'll quickly get a sense of whether this is something they enjoy and are ready for. Some kids arrive at the studio a little uncertain and leave completely buzzing from the experience. That tells you something.

And if it turns out modelling isn't for them right now, you'll still have a beautiful set of portraits of your child at this age. That's never a waste.

If you'd like to know more about booking a kids modelling portfolio session in Sydney, get in touch

Kate x

The Best Age for Toddler Photos (And Why It's Sooner Than You Think)

Most parents assume toddler photos happen somewhere around two or three. By then the kids can follow basic instructions, right? Here's what 23 years of photographing Sydney families has taught me: one is the sweet spot, and if you wait, you'll miss it.

Why Parents Wait Too Long

It makes sense on paper. You think, I'll wait until they're a bit older. Until they can understand what's happening. Until they'll actually cooperate.

But here's the thing. A one-year-old who's just found their feet is one of the most naturally photogenic humans you'll ever meet. They're curious about everything. They're steady enough to stand and toddle but still small enough to feel like a baby. They think you're the funniest person alive. They haven't developed the self-consciousness that comes later. They're just completely, entirely themselves.

That window is shorter than you think.

What Changes at Eighteen Months

I want to be honest with you about what happens when you wait, because I see it all the time in my Gordon studio on Sydney's North Shore.

At one, your toddler is just walking. They're wobbly and delighted about it. They're exploring, they're stopping, they're looking around, they're coming back to you. That movement is beautiful to photograph because it's slow enough to catch and genuine enough to feel real.

At eighteen months to two years, everything changes. They're not walking anymore. They're running. They have very strong opinions about where they want to go and what they want to do, and they have zero interest in anyone else's agenda. The determined streak that makes two-year-olds so wonderful to parent also makes them genuinely challenging to photograph, and I say that with complete affection for this age group.

The one-year-old will wander towards you. The two-year-old will wander away from you, at speed, towards whatever they've decided is more interesting.

That's not impossible to work with. I've photographed a lot of two-year-olds across Sydney's North Shore and I know how to get the shots. But the ease and the sweetness of the one-year-old session is something different. It's a specific window and once it closes, it's gone.

What One-Year-Old Photos Actually Look Like

I want to reset expectations here, because "toddler photos" might conjure an image of a child sitting nicely and smiling at the camera. That's not what I'm going for, and honestly it's not what you want either.

What I'm looking for at this age is the real stuff. The way they concentrate when they're figuring something out. The laugh that comes out of nowhere. The look they give you just before they do something they know they shouldn't. The way they reach for you when they want to be picked up.

None of that requires cooperation. It requires patience and someone who knows how to watch and wait. After 23 years and roughly 2,500 families photographed across Sydney, I've learned that the best images at this age come from following the child, not directing them.

Your job during the session is just to be with them. Talk to them, play with them, be the person they always want. My job is to be ready when the real moments happen.

You Belong in These Photos Too

Here's the part I'd be leaving out if I didn't say it: you should be in the session too.

Your one-year-old thinks you are the most important person in the world. That relationship, the way they look at you, the way they reach for you, the way they light up when you walk into the room, is one of the most beautiful things I get to photograph. And it's specific to this age in a way that shifts as they get older and more independent.

Most mums I photograph tell me that the images of them with their child are the ones they love most. Not because they look perfect. Because they look true. You, with your one-year-old, at exactly this moment. That belongs on your wall.

I say this because I know the instinct is to stay behind the camera. I know you're not sure how you'll look. I've been photographing North Shore mums for over two decades and I promise you, the photos you'll treasure most are the ones you're actually in.

How to Know If Now Is the Right Time

If your child is anywhere between ten months and fourteen months, now is the time. You don't need to wait for the birthday. You don't need them to be walking confidently. You just need to book it before the window closes.

If they've just turned one and you've been thinking about it, stop thinking and book it. The eighteen-month version of your child is coming faster than you expect, and as much as I love photographing them too, the one-year-old session is something I'd hate for you to miss.

I photograph families across Sydney's North Shore from my studio in Gordon, and I work with children at every age and stage. If you'd like to talk through timing or what a session looks like, get in touch here and I'll help you figure out the right moment.

Kate x

How to Choose the Right Family Photographer: 5 Questions You Should Ask Before Booking

Most families put enormous effort into choosing a wedding photographer but barely think about who will photograph their family. And yet family photos are the images your children will grow up looking at. They are the ones your grandchildren will find one day and hold onto. They are, in many ways, more important than wedding photos because they document the people your family became after the wedding was over.

If you are looking for a family photographer, especially in Sydney, do not just book the first person who comes up on Google. Take the time to ask these five questions. They will tell you everything you need to know about whether a photographer is the right fit for your family.

1. How Many Years of Experience Do You Have with Families?

Experience matters in family photography in a way it does not always matter in other types of photography. A good landscape photographer can wait for the perfect light. A good family photographer has to work with a toddler who has just had enough, a teenager who does not want to be there and a dog who has decided to sit on the backdrop.

Ask specifically about family experience, not just photography experience generally. A photographer might have beautiful work in their portfolio but if most of it is weddings or commercial work, they may not know how to handle the unpredictability of photographing children.

I have been photographing families for over 23 years from my studio in Gordon on Sydney's North Shore. In that time, I have worked with roughly 2,500 families. I have photographed newborns who screamed for the first 20 minutes and then fell asleep perfectly. I have worked with teenagers who arrived refusing to smile and left laughing. I have had dogs steal entire sessions in the best possible way. Experience with families specifically is what makes the difference between a stressful session and a relaxed one.

Look at their portfolio carefully. Are the images consistent in quality? Do the families look relaxed or stiff? Can you see real expressions or does everything look posed? The portfolio tells you more than the number of years ever will.

2. What Is Their Style, and Does It Match What You Want?

Not all family photographers shoot the same way. Some specialise in posed, structured portraits. Some work in a purely candid, documentary style. Some, like me, do both depending on what the family wants.

Before you book, look at their work and ask yourself: do these photos look like my family? If you have young kids and a dog, and every image in the photographer's portfolio shows perfectly posed adults in a studio, that might not be the right fit. If you want natural, relaxed images and the photographer's work looks stiff and formal, keep looking.

It is also worth asking whether they specialise in a particular type of family photography. Some photographers primarily photograph newborns and may not have much experience with older children or teenagers. If your kids are 12 and 15, you want someone who is comfortable working with that age group and knows how to make teenagers feel at ease, which is a skill in itself.

Do not be afraid to ask for specific examples. A good photographer will be happy to show you sessions that are similar to your family's situation.

3. Do They Have Repeat Clients?

This is one of the strongest indicators of a good family photographer. If families come back year after year, it tells you three things: the quality of the work is consistent, the experience is enjoyable, and the photographer has built genuine relationships with their clients.

Ask the photographer directly. How many of your clients come back? Do you photograph the same families at different stages? A photographer who has followed families from newborn through to school photos through to teenagers is someone who understands how families change and how to photograph them at every stage.

I have families who have been coming to me for over 15 years. I have photographed their newborns and now I am photographing those same kids as teenagers. That continuity matters because I know these families. I know which child is shy. I know which parent hates being in photos. I know the dog's name. That familiarity makes every session easier and the photos better.

Check their Google reviews. Real reviews from real clients will tell you what the experience is actually like, not just what the photos look like. If every single review is five stars with no detail, look a little closer. No business has 100% happy clients all of the time. An occasional less-than-perfect review with a thoughtful response from the photographer is actually a good sign. It means the reviews are genuine.

4. What Is Their Cancellation and Rescheduling Policy?

Kids get sick. It is not a matter of if, it is when. And it always seems to happen the night before a session you have been looking forward to for weeks.

Before you book, ask about their cancellation and rescheduling policy. Can you reschedule if your child wakes up with a temperature? Is there a fee? How much notice do they need? A family photographer who works with young children should understand that illness is part of the deal and have a flexible policy that accounts for it.

I reschedule for sick kids without any fuss. I would rather your family come in when everyone is feeling well and happy than push through a session where a child is unwell and miserable. The photos will be better for it, and you will enjoy the experience instead of surviving it.

5. Do They Have Experience with Your Family's Specific Needs?

Every family is different, and some families have needs that require a photographer with specific experience or sensitivity. You might have a child with additional needs who finds new environments overwhelming. You might have a child with a physical disability that requires modified posing. You might have a blended family with complex dynamics. You might have a child who is going through a tough time and is resistant to being photographed at all.

Whatever your situation, ask the photographer directly. Have you worked with a family like ours before? How would you handle this? The answer will tell you a lot. You are not looking for someone who has done it a hundred times, although that helps. You are looking for someone who listens, who is genuinely compassionate and who is willing to work with your family rather than trying to fit you into a standard session format.

In my studio, I adapt every session to the family in front of me. No two sessions look the same because no two families are the same. If your child needs extra time to warm up, we take extra time. If your teenager needs space, I give them space. If your dog needs to be part of every single frame, that is what we do. The session works around your family, not the other way around.

The Right Photographer Makes All the Difference

Choosing a family photographer is not just about finding someone who takes nice photos. It is about finding someone you trust, someone your family feels comfortable with and someone who understands that the best family photos come from genuine connection, not perfect posing.

Take the time to ask these questions. Look at the work. Read the reviews. And when you find someone who feels right, book the session. Because the photos you take of your family now are the ones you will treasure most in 20 years.

If you are on Sydney's North Shore and looking for a family photographer who genuinely loves working with real families, dogs and all, I would love to hear from you.

Kate x

5 Tips for Better Photos of Your Kids (No Fancy Camera Required)

Most parents think they need a better camera to take better photos. I hear it all the time. "I would take more photos but my phone camera is not great." Here is the thing: the camera on your phone is fine. More than fine, actually. As a photographer with over 23 years of experience, I can tell you that your best camera is the one you know how to use. So instead of worrying about equipment, get to know the features on your phone and learn how to use the light, the setting and your child's personality to your advantage.

These are my five tips for taking better photos of your kids at home, and not one of them requires you to spend a cent.

Choose the Time of Day Wisely

This is the single biggest thing you can do to improve your photos. Harsh midday light creates hard shadows on faces, and it is genuinely unpleasant to have your photo taken when the sun is shining directly at you. Adults squint. Kids squint worse, or they just close their eyes entirely. The result is a phone full of photos where nobody looks comfortable.

The best light for photos is early in the morning or late in the evening. Photographers call these the golden hours. Shortly after sunrise or just before sunset, the sun sits at its lowest point in the sky, which creates softer, warmer light. The shadows are gentle, the colours are beautiful and your kids are not screwing up their faces trying to look at you.

I know what you are thinking. At those times you are either making breakfast or doing the bath and bedtime routine. Fair enough. That leads me to the next tip.

Shade and Cloud Cover Are Your Best Friends

A cloudy day might be a bride's nightmare, but for a photographer it is often preferred. Clouds act like a natural diffuser, softening the sunlight so it wraps around faces evenly instead of creating harsh shadows. If the sky is clear, find a nice open shady spot instead. Under a tree, on a covered porch, or even just the shaded side of your house.

One thing to watch for in shade is dappled light. Those little speckles of sun that seep through branches look lovely in person but create uneven patches across faces in photos. If you can see spots of bright light on the ground where you are standing, move to a spot where the shade is more even.

As a mum of three, some of my favourite photos of my kids were taken on overcast days in the backyard. The light was flat and even, the kids were relaxed, and I did not have to wrestle with shadows or squinting.

Keep the Background Simple

Everyone loves that blurry background effect where the subject stands out and everything behind them is soft. That is called shallow depth of field, and it is hard to achieve on a phone camera. But the reason we love it is not actually the blur itself. It is that the person in the photo stands out clearly from their surroundings.

You can get a similar effect by choosing a simple, uncluttered background. A green hedge, a plain wall, open sky at the beach, or a stretch of grass at the park. The less visual noise behind your child, the more they become the focus of the image.

Avoid taking photos in front of cluttered shelves, busy playgrounds or car parks. Even a beautiful park can produce a messy photo if there are bins, signs and other people directly behind your child. Take a second to look at what is behind them before you press the shutter. Move a step to the left or right and the background can change completely.

Do Not Say Cheese

This is probably my favourite tip because it is the one every parent instinctively does. You hold up the phone and say "say cheese!" and your child clamps their top and bottom teeth together in a forced grimace that looks nothing like their actual smile.

Instead, try asking them to say something silly. "Stinky undies" works almost every time. "Smelly socks." "Poo bum." Whatever makes your particular child laugh. The goal is to get a genuine reaction, not a posed one.

With younger kids, I find that making a silly noise or pretending to sneeze works better than asking them to say anything at all. With older kids and teenagers, asking them to think about something funny that happened recently can produce a real smile. The key is that the expression needs to come from a real moment, not from an instruction.

After 23 years of photographing kids, I can tell you that the difference between a forced smile and a real one is immediately obvious in a photo. And the real one is always the one that ends up on the wall.

Let Them Be Themselves

This is the tip that most parents find hardest. We want a nice photo, so we try to pose our kids. Stand here. Look at me. Hold still. Arms down. Smile. And the result is a stiff, awkward image that does not capture who your child actually is.

The best photos of children are almost always candid. Let siblings tickle each other. Let them dance. Ask them about their favourite movie or what happened at school that day. When a child is doing something they love or talking about something that excites them, their face lights up in a way that no amount of posing can replicate.

Some of my most treasured personal photos of my own kids are the ones where they had no idea I was even taking a photo. Running through the sprinkler. Laughing at each other over breakfast. Reading a book with the dog. Those are the images that capture who they are at this stage, and those are the ones I am most grateful for.

The Real Secret

The best photos are not about the camera, the lens or the lighting. They are about connection. If your child feels relaxed, comfortable and happy, it will show in the photo. If they feel pressured, bored or annoyed, that will show too.

So put down the stress about equipment. Use the camera you have. Find some nice light. Keep the background simple. Make them laugh instead of making them pose. And take lots of photos, because the more you take, the more likely you are to catch that one perfect moment.

And if you want photos that go beyond what your phone can do, that is where I come in. A family session at my studio in Gordon is relaxed, natural and designed to capture your family exactly as you are. No forced smiles. No awkward posing. Just your family being yourselves.

Kate x